Every Feature on Lil Wayne's 'Tha Carter V' Ranked: Critic's Picks

Every Feature on Lil Wayne's 'Tha Carter V' Ranked: Critic's Picks

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After a seven-year hiatus from his iconic collection, Lil Wayne has lastly ended Tha Carter drought. On Friday (Sept. 28), the New Orleans rapper dropped the explosive 23-track reply to followers’ impatience within the type of Tha Carter V, totally quelling any nerves about its existence and its impending drop date — a consequence of his notorious authorized battle with Cash Money Records, a disagreement that locked the album up for greater than 4 years.

At this level, Wayne may drop something and it could be a information merchandise, however to most, the large reveal had extra to do with whether or not the self-proclaimed “best rapper alive” may nonetheless be a candidate for finest rapper in 2018. What we discover right here is likely one of the most well-skilled rappers tactfully proving that his movement is as robust as ever, and with a myriad of options, C5 proves Wayne remains to be adept at piecing collectively a fruitful album.

From 2000s R&B queen Ashanti to fashionable legends Kendrick Lamar and Travis Scott, we’ve ranked all of the options on Lil Wayne’s Tha Carter V.

9. “Dark Side of the Moon” feat. Nicki Minaj

Nicki Minaj has change into fairly a divisive determine all on her personal, as she takes on any and all topics (and perceived enemies) on her Queen Beats 1 Radio present. On “Dark Side of the Moon,” Nicki makes one other doubtlessly questionable resolution, as she totally opts out of dropping any bars and as an alternative, affords up a totally sung verse. As for her precise pipes, there’s undoubtedly some vary that I’m undecided we heard totally displayed on a few of her one-off pop songs, nevertheless it’s nonetheless inferior to some old-school Nicki bars.

The tune’s most redeeming high quality is perhaps the nostalgia it conjures up, because it’s at all times comforting to listen to these two vets on the identical monitor. But it could’ve been higher to listen to them each at their full MC capability.

eight. “Don’t Cry” feat. XXXTentacion

When XXXTentacion was shot and killed three months in the past, the ethics and intersection of artwork and private life turned a mainstay within the dialog, as rap followers reckoned with the home violence fees in opposition to him. Now, as iconic rappers like Kanye West and Lil Wayne proceed to carry the late Florida rapper into new music, it looks as if the continued debate might not ever be over.

“Don’t Cry” is the primary time we hear a verse from Wayne on the album — after an emotional spoken-word intro from his mom — so it appears noteworthy that it’s XXXTentacion whom he’s chosen to carry together with him. As for the tune itself, we don’t hear a lot from XXX, other than his melodic addition the tune’s refrain, which has the rapper cryptically crooning “don’t cry” in what has now change into a punk-pop-influenced staple on a handful of rap tracks in 2018.

As for its place within the iconic Carter collection, the hook provides a contemporary contact however doesn’t amplify the sound or add something spectacular. The rapper’s controversial inclusion doesn’t appear to be well worth the followers who is perhaps misplaced, or remoted, by Wayne’s newest co-sign.

7. “What About Me” feat. Sosamann

“What About Me” fills the "unhappy love tune" slot on the roster, and its pretty easy sound is solidified with a verse from Taylor Gang’s Sosamann. The rapper joins Wayne to croon a few misplaced romantic connection over a clean R&B-infused beat, all in his signature sluggish, almost slurred movement. Wayne laments, “I can’t stand you with one other man,” solely to have Sosamann comply with up with the additive “I simply wish to see you smile.” It’s a candy tune, nevertheless it’s removed from a standout.

6. “Dope New Gospel” feat. Nivea

A serious motif on Tha Carter V is household and rebirth, and there appears to be nothing that encapsulates these two subjects greater than that includes Wayne’s ex-wife and mom to 4 of his youngsters Nivea. The beat is rather more up-to-date than most, nevertheless it doesn’t essentially separate itself from something followers have heard earlier than — and never simply from Wayne, however from any rapper.

The disappointment in its extraordinarily commonplace sound is that NIvea’s voice is as lovely as ever, however it could’ve been higher to listen to her on a monitor a lot increased up on the album, or a monitor with Wayne doing just a little bit extra. Regardless, as with a few of his different decisions for options, this one appears to be about one thing higher than simply the music.

5. “Famous” feat. Reginae Carter

To proceed the theme of household, Reginae Carter’s refrain on “Famous” is a straightforward and enchanting hook, proving that Wayne’s 19-year-old daughter wasn’t given this characteristic simply as a household favor, however somewhat as a well-deserved showcase of skills that appear to run within the Carter clan. The tune may have shortly developed right into a father-daughter duet, or digress into dad rap, however as an alternative, Wayne confirmed Reginae a higher degree of respect, by merely treating the collaboration as he would another monitor.

four. “Let It Fly” feat. Travis Scott

At first, “Let It Fly” seems to be a throwaway Travis tune, but what is perhaps thought of a B-side for Scott remains to be fairly notable. The rapper goes uninterrupted for 2 verses with no Wayne, permitting Travis to dazzle along with his frenetic tempo. It’s not till across the two-minute mark of the tune that Wayne drops in and hits arduous with an unimaginable breathless verse, paying homage to a few of his finest fast-spitting bars from the early 2000s, however with an up to date, nearly Valee-sounding vibe to all of it. Wayne’s mastery and fashionable adaptation makes it clear that Travis’ verses have been actually simply a gap set for what he had coming — he reminds followers as at all times with “a finest rapper alive” tag earlier than exiting.

three. “Start This Shit Off Right” feat. Ashanti & Mack Maine

There is nothing higher than an Ashanti hook on a rap tune. And there’s actually nothing higher than an Ashanti hook on a 2000s-caliber rap tune. While Tha Carter V is clearly a 2018 launch, it additionally appears to be an ode to Wayne’s time as a chart-topping bandit, who wreaked havoc each time he dropped a document. And nothing is extra paying homage to these years than Ashanti’s angelic vocals paired along with his gruff growls. Ashanti doesn’t have a lot so far as lyrics on this one, nevertheless it appears to be a dedication to the sheer energy that even only a snippet of her voice can have. Plus, the tune is intro’d by Cash Money Records president Mack Maine, which appears to be one other instance of Wayne merging two eras collectively.

2. “Dope N—az” feat. Snoop Dogg

Tucked on the backend of the challenge, this Ro & Camo-produced monitor quietly holds probably the greatest and most well-developed general sounds on the album, and it yields an ideal entrance for Snoop. When Snoop first is available in, it’s a refreshing interruption to Weezy’s raspy reverberations, as he raps in his signature clean swagger. It’s not solely the octave that gives one thing new, however nowhere else on the album is there a movement as managed and as relaxed as what he delivers on the final 30 seconds of this monitor.

1. “Mona Lisa” feat. Kendrick Lamar

There won’t be a greater mixture in hip-hop than the overlapping sounds of two of probably the most iconic voices in rap adopted by Wayne’s trademark lighter-flick sound impact. On “Mona Lisa,” two totally different eras' "finest rappers alive" morph and collide into each other, borrowing from one another’s kinds, whereas independently delivering a few of the finest verses on this album.

Wayne opens the monitor with three verses all on his personal, and whereas it’s all Weezy, he’s seemingly mimicking the up-and-down movement that we all know finest from Kendrick, however executing it effortlessly and powerfully — a testomony to his iconic skill to take one thing that’s scorching and make it even hotter.

As Wayne wraps, the beat cuts for a second, with the silence solely coming to an finish with a signature “ah” advert lib from Kendrick. What follows is Kendrick going deep right into a verse, morphing into a tragic and determined character, full with a crackly high-pitched voice. While the monitor’s beat isn’t as much as the caliber of the folks spitting on it, the sheer expertise and pairing of those two on a monitor nonetheless makes it the very best characteristic.